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- The deodar tree turns into a special landmark that triggers Jayanto’s memories of his beloved doll Fritz.
- The tree stands as a silent witness to Jayanto’s childhood trauma and his try and resolve it in maturity.
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- Upon reaching, Shankar realises that Jayanto is in considerably pensive temper and queries about it.
The story exhibits that true friendship means being there for somebody even when their feelings seem unreasonable. When Jayanto becomes disturbed by his memories, Shankar tries to help him by listening and providing sensible options. Shankar and Jayanto have been friends since childhood and have remained close despite their different careers and personalities.
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Unlike the marks on the quilt or Jayanto’s visions, the skeleton is concrete and real—it cannot be defined away as imagination. The human skeleton found at the finish of the story is the most surprising and mysterious symbol. The tree stands as a silent witness to Jayanto’s childhood trauma and his try and resolve it in adulthood. This tree remains unchanged after thirty years, representing the permanence of place and reminiscence. The deodar tree in the circuit house garden is a robust image of reminiscence and the past. However, Fritz symbolizes much more—it represents Jayanto’s childhood itself, his innocence, and his connection to a simpler time in his life.
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Jayanto says that Fritz, the doll, had come back alive and it was the doll last night time who had walked over his chest leaving his footprints. It was a one-foot tall Swiss doll introduced from Switzerland by his uncle for him. Meanwhile Jayanto appears to remember the old reminiscence of the European.
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Samoëns, The Village
The setting of Bundi, a real city in Rajasthan, adds authenticity to the narrative. Ray’s background as a filmmaker influenced his writing style—he created scenes like a director sets up pictures, with careful consideration to mood and ambiance. Throughout the 1970s when this story was published, Indian writers were more and more interested in psychology and human emotions. Satyajit Ray wrote “Fritz” during a time when Indian literature was changing into extra modern and experimental. The story became very popular in faculties, particularly as a part of the ICSE and ISC English literature curriculum.
They go for sightseeing in the compound and suddenly Jayanto remembers that there was a tall deodar tree there. Upon reaching, Shankar realises that Jayanto is in considerably pensive temper and queries about it. They keep on the Circuit house (a type of visitor house) where Jayanto had stayed before in his childhood because of his father’s frequent work trips there. Both of them are nice pals and have finally managed to get some time to go on a trip collectively.
The doll’s overseas origin (from Switzerland) additionally makes it an emblem of the unfamiliar and the mysterious. On the floor, Fritz represents a childhood toy and a supply of harmless joy for younger Jayanto. This innocence is destroyed when Fritz is violently attacked and killed by stray canines. The theme of lost childhood innocence seems through Jayanto’s relationship with Fritz.
